A Kidd Pivot & Electric Company Theatre co-production.
PremieredJuly 23, 2015
Toronto, PANAMANIA // Canadian Stage
A state of shock and bewilderment encompasses you in the wake of a disaster. A timeless space where you return again and again, repeatedly responding to the disaster long after it has subsided. Here, a crisis-management team is keeping your emergency situation alive and present, a trusted voice is urging you to come to terms with the past, and a steady supply of The Show is available for all the distraction, escape and pleasure you crave. You are the Survivor.
Olivier Award-winning Crystal Pite and pioneering playwright/performer Jonathon Young join creative forces in this unforgettable hybrid of theatre and dance. Epic, engrossing and visually arresting, Betroffenheit touches on themes of loss, addiction and recovery. With unflinching honesty, Pite and Young explore what happens to a person in the wake of trauma. Five extraordinary performers provide a glossy cabaret to Young’s tragic central character using contemporary dance, comedy, drama and text.
With an exceptional team of artistic collaborators, this major new production has taken North America by storm. As thrilling as it is affecting, it is a stunning testament to the transformative power of art.
“Emotionally intense and unsettling as it often is, this gripping and visually arresting production exemplifies what can happen when theatre and dance combine to achieve what neither could accomplish alone… it stands as a testament to the redemptive power of art.”
“Betroffenheit is a harrowing representation of trauma and suffering – but it’s also a stunning testament to what can be made when life undergoes a pretty strange and irreducible process – when it’s turned into art… Betroffenheit is rare and staggering. I texted friends the following morning and told them to drop everything and go see it. There is darkness on that stage that will stay with me for a long time.”
★★★★★ "In this raw and riveting drama of mental conflict, words and dance are expertly combined. But the second half of the work, in which Young exits the room for an open stage, is dominated by a section of pure dance whose imagery seems to stage the cathartic process of Young’s recuperation. Pite’s special genius is in choreographing the body language of emotion in the distorted, lifting, folding shapes of her dancers’ bodies. In the sharply specific rhythms of trauma and comfort we can read whole narratives of suffering and recovery."
Thanks to all of our wonderful 2015 Indiegogo campaign contributors. Your contribution helped us to bring Betroffenheit to the stage!
Peter & Melody Anderson, Marie Claire Beauchesne, Cheryl Berge, Deborah Bouchard, Shawn & Jessica Bouchard, Cindy Broquaire, Miranda Burgess, Steven Charles, Jamie Chew, Sheila Collier, Todd Collier, Sarah Corey, Dominika Daskova, Sandra Ferens, Christelle Golzio, Alison Grant, Ginger Graves, Laura Gray, Don & Joan Greenfield, Jane Heyman & Lionel Johnston, Leslie Hurtig, Su Hutchinson, Pam Johnson, Diane Kent, Glynis Leyshon, Lisa Loomis, John Mackenzie, Julia Mackey & Dirk Van Stralen, Alison Matthews, Jillian Meyers, Paula Palyga, Jane Perry, Paul Rosenbaum, Veronica Rossos, Ilona Scharer, Eleanor C. Sleath, Sarah G. Stanley, Daniela Stelzer, Lynda Stokes, Jan Suchomel, Haig Sutherland, Jennifer Swan, Alan Teder, Johanna Thomas, Dawn Williamson, Jonathan Winsby, and George & Joanne Young (as of July 30, 2015).
BETROFFENHEIT MAJOR SUPPORTERS
Electric Company Theatre and Kidd Pivot gratefully acknowledge the support of the Canada Council for the Arts, the Province of British Columbia, British Columbia Arts Council, BC Gaming, the City of Vancouver, the Vancouver Foundation, the Koerner Foundation, the Charles and Joan Gross Family Foundation, and countless individual and business supporters.
Created by Crystal Pite and Jonathon Young
Written by Jonathon Young
Choreographed & Directedby Crystal Pite
Composition & Sound Design by Owen Belton, Alessandro Juliani, and Meg Roe
Set Design by Jay Gower Taylor
Costume Design by Nancy Bryant
Lighting Design by Tom Visser
Rehearsal Direction by Eric Beauchesne
Additional Choreography by Bryan Arias and Cindy Salgado (salsa), David Raymond (tap)
Bryan Arias (2015-2017), Christopher Hernandez (2018), David Raymond, Cindy Salgado, Jermaine Spivey, Tiffany Tregarthen, and Jonathon Young
July 16 & 17, 2015
Banff – The Banff Centre (In-Progress Showings)
July 23 – 25, 2015
Toronto – PANAMANIA // Canadian Stage (Premiere)
February 12 & 13, 2016
Ottawa – National Arts Centre // NAC Dance
February 18 – 21, 2016
Toronto – Canadian Stage
February 25 – 27, 2016
Vancouver – DanceHouse
March 11 & 12, 2016
Victoria – Dance Victoria & Belfry Theatre
March 18 & 19, 2016
Seattle – On the Boards // Seattle Theatre Group
March 31 – April 2, 2016
Portland- White Bird
April 21 & 22, 2016
Dallas, TX – TITAS Presents
May 24 & 25, 2016 Dublin, IRL – Dublin Dance Festival
May 31 & June 1, 2016
London, UK – Sadler’s Wells
Feb 23-26,2017 Perth, Australia – Heath Ledger Theatre
Betroffenheit has resulted in a potent and intense discussion about the role of art-making in healing, mental health and wellness, and the emotional coming together of community for a unique live performance. If you or a family member require support, please reach out to one of the following Vancouver-based community organizations for more information: