Apr 13, 2004 - Apr 17, 2004

Vancouver East Cultural Centre – Vancouver, BC

Palace Grand

A new play by Jonathon Young

 
Produced by Electric Company Theatre
Co-Presented with The Cultch

World Premiere: Apr 13-17, 2004 - The Cultch, MST Territories/Vancouver


“A portrait of the Prospector writing a self portrait of the Prospector”.

This is Krapp’s Last Tape set against the fallout of the Klondike Gold Rush and the decline of vaudeville theatre. In 1898 a writer/explorer known only as Walker goes north to reclaim an abandoned mine in a remote ghost town. Months later he arrives, barely alive, and holes up on the stage of the decrepit Palace Grand theatre. His final means of survival, the only way left to impose order on the world as the killing cold of winter sets in, is to write. And then consume his writing as fuel. Read. Write. Re-read. Re-write. Speak it aloud. Hear it spoken. Perform it.

In a distant cabin, a distress call is received: “Save Me”. A mysterious Tracker is sent to find Walker and bring him back alive. Abandoning all the comforts of home, he sets out, hauling his outmoded equipment on his back, transmitting dispatches from the trail. He tracks Walker to the Palace Grand.

Dark, poetic and stylistically daring, the play is an utterly physical evocation of an ill-fated expedition that makes northern exploration a metaphor for the writer in his quest to truthfully portray himself.


Credits

Written and Performed by

Jonathon Young

Directed by

Kevin Kerr

Sound Design and Composition by

Meg Roe, Alessandro Juliani, and Kevin Kerr

Video Design by

David Hudgins

Lighting/Set Design by

John Webber and Jonathon Young

Set Décor & Props Design by

Rick Holloway

Costume Design by

Kirsten McGhie

Stage Management by

Jan Hodgson

Artistic Conspirator

Kim Collier

Past Performances

PuSh International Performing Arts Festival – Vancouver, BC

2008

Vancouver East Cultural Centre – Vancouver, BC (Premiere)

2004

Media

“...a marvelous machine of creativity”

Vancouver Sun

"It's no exaggeration to say that Young moves with the grace and precision of Charlie Chaplin or Buster Keaton. Every character is distinct, all of the gestures are so clear they're like a series of cutout silhouettes.”

The Georgia Straight